I am not a good person, but I am trying my best to learn how to be.
The lilting dance of your accent is one with which I am unfamiliar. I could dedicate hours to tracking how sincerity and heartbreak and laughter alter the choreography, how once dancer can be so fluidly adept at performing variety.
I have yet to see the way your lips come into play as a setting – a vehicle – upon which your uniquely-you accent comes into its own. How do downturned lips and teeth ground together and curling-ivy smiles change the way you pronounce your ‘a’? How does nature give way to nurture every time you say my name? How many pages can I fill with its every quirk and detail?
Each of Maggie Nelson’s novels are stories of fixation. Hundreds of pages exploring the color blue, what it means to be a queer mother, transition, loss, death, murder. Her life is dedicated to things and ideas, to inanimate objects and abstract concepts; she analyzes personal stories, anecdotes, objects, definitions. She learns histories and makes them her own.
What kind of thing would I focus on like Nelson? A color, like pink? A theory, an event? I’m not sure. I don’t know if I’m the kind of person who can commit to anything, even an insentient substance, with enough zeal to write a whole novel about it. But I think I’m ready to try.